{"id":88197,"date":"2024-07-17T14:29:04","date_gmt":"2024-07-17T13:29:04","guid":{"rendered":"https:\/\/weareactors.com\/?p=88197"},"modified":"2024-07-18T13:04:46","modified_gmt":"2024-07-18T12:04:46","slug":"20th-sanfic-santiago-international-film-festival-touts-10-chilean-titles","status":"publish","type":"post","link":"https:\/\/weareactors.com\/20th-sanfic-santiago-international-film-festival-touts-10-chilean-titles\/","title":{"rendered":"20th Sanfic Santiago International Film Festival Touts 10 Chilean Titles"},"content":{"rendered":"

Chile\u2019s most prominent film event, the Santiago Int\u2019l Film Festival (Sanfic<\/a>) celebrates its 20th<\/sup> edition with 10 Chilean titles in competition, chosen from a record 40 submissions this year.<\/p>\n

\u201cWe usually receive an annual average of 25 entries of which we select eight to nine titles,\u201d said festival director Carlos Nu\u00f1ez who co-founded the festival with Gabriela Sandoval who runs the industry section.<\/p>\n

He attributes the proliferation of films this year, in part, to the urge of young, upcoming filmmakers to make their mark in the world of cinema. \u201cMost of the directors in our selection are young and only making their first or second films,\u201d Nu\u00f1ez pointed out, adding that most of the titles are debut features. This year\u2019s crop has only one female director but many of the producers behind them are predominantly women, he noted.<\/p>\n

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Related Stories<\/p>\n<\/div>\n

Out of the 10 films, four are marking their world premieres while three are making their Latin American debuts and the other three, their national debuts. \u201cWe believe these are the cr\u00e8me de la cr\u00e8me of this year\u2019s output,\u201d said Nu\u00f1ez.<\/p>\n

Many are powered by co-productions, a key lifeline, from countries such as Mexico, Colombia, Argentina, Ecuador, the Netherlands and Peru as well as private equity investors and state funding.<\/p>\n

The 20th<\/sup> Sanfic edition runs over Aug. 18-25.<\/p>\n

A breakdown of the Chilean lineup:<\/p>\n

\u201cLas Cenizas,\u201d <\/strong>(Stjepan Ostoic Papic, Chile)<\/p>\n

World premiere. Shot in black and white, Irene\u2019s world shatters when her father dies suddenly in a nursing home. Although everyone insists it was a natural death, she suspects he was murdered. Determined to uncover the truth, she launches an investigation, which leads her to revelations about her father\u2019s mysterious past. Ostoic Papic is known for his previous film, the award-winning \u201cAntofagasta, New York\u201d and short, \u201cAusencia.\u201d<\/p>\n

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Las Cenizas<\/span>
\nCourtesy of Sanfic<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\u201cThe Fabulous Gold Harvesting Machine\u201d (\u201cLa fabulosa m\u00e1quina de cosechar oro\u201d), <\/strong>(Alfredo Pourailly, Chile, Holland)<\/p>\n

Pourailly\u2019s debut documentary feature, which had its world premiere at Canada\u2019s Hot Docs, revolves around Toto, one of the last remaining artisanal gold miners who is barely 60 but looks much older from decades sifting for gold in cold and wet Tierra del Fuego. He\u2019s feeling frail but can\u2019t stop working. His son Jorge will try to solve this problem by building a gold harvesting machine that should brighten their future. Co-produced by Juntos Films (\u201cImmersion\u201d) and the Netherlands\u2019 Windmill Film. Winner, Best Ibero-American Documentary at Mexico\u2019s Guadalajara Film Fest.<\/p>\n

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The Fabulous Gold Harvesting Machine<\/span>
\nCourtesy of Sanfic<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\u201cAullido de Invierno,\u201d <\/strong>(Matias Rojas Valencia), Chile, Colombia, Argentina<\/p>\n

A Latin American debut for the docu-fiction hybrid that turns on Ingrid, who is German and Franz, Chilean. They are both survivors of Colonia Dignidad, a sinister post-WWII camp run by a Nazi sympathizer where dissidents were tortured and disappeared. In isolated Patagonia, the couple seek to forget the past. Their story intertwines with a fictional narrative about a woman seeking redemption for her connection to Chile\u2019s dark history and Colonia Dignidad. Fact and fiction merge against a backdrop of winter\u2019s chill. This is Rojas\u2019 debut documentary, best known for his lauded fiction features, \u201cRaiz\u201d and \u201cA Place Called Dignity.\u201d<\/p>\n

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Aullido de Invierno<\/span>
\nCourtesy of Sanfic<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\u201cNo estoy en el mar,\u201d <\/strong>(Luis Cifuentes Saravia, Chile, Mexico, Argentina)<\/p>\n

The world premiere of Cifuentes\u2019 feature debut which turns on young yoga instructor Josefina who moves to the timeless town of San Rosendo in southern Chile to uncover the fate of her father, Manuel, whom she never met. Cifuentes heads ElCineVino, an itinerant cinema that services remote areas of Chile.<\/p>\n

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No estoy en el Mar<\/span>
\nCourtesy of Sanfic<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\u201cPrimera Persona,\u201d <\/strong>(Daniel Peralta, Chile)<\/p>\n

The Latin American bow for Peralta\u2019s drama, which world premiered at the Chicago Latino Film Festival. Julian Cabeza, a reclusive rock musician, struggles with blows to his ego and a fear of failure, straining his 20-year relationship with Aline. In his coastal cabin, he meets Isabel and Dario, a conflicted young couple. A brief friendship forms as they share their stories of loss and disappointments. Peralta is known for making films on limited budgets which he calls \u201cgarage films.\u201d His credits include the multi-winning dramas \u201cMejor no fumes,\u201d \u201cFiesta falsa\u201d and \u201cAndr\u00e9s lee i escribe.\u201d<\/p>\n

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Primera Persona<\/span>
\nCourtesy of Sanfic<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\u201cThrough Rocks and Clouds,\u201d (\u201cRa\u00edz\u201d),<\/strong> (Franco Garc\u00eda, Chile, Peru)<\/p>\n

The second feature of Peruvian-born Garcia (\u201cVientos del sur\u201d) which won a Special Mention in the 74th<\/sup> Berlinale. Eight-year-old Feliciano herds alpacas in the remote Andes with his alpaca Ronaldo and his dog Rambo. He chats with them about football and the Peruvian national team. However, a mining company threatens their community, using intimidation to pressure them to sell their land. When Ronaldo disappears, Feliciano searches desperately while his parents and neighbors fight back.<\/p>\n

\u201cSariri,\u201d <\/strong>(Laura Donoso, Chile)<\/p>\n

A debut feature that world premiered at Cinelatino Toulouse, \u201cSariri\u201d is Donoso\u2019s graduation project, which she also co-wrote. In a desert mining town under patriarchal rule, Dina, facing an unwanted pregnancy, plans to escape to the city. However, she can\u2019t abandon her young sister Sariri, who is experiencing her first period.<\/p>\n

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Sariri<\/span>
\nCourtesy of Sanfic<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\u201cUna Luz Negra,\u201d <\/strong>(Alberto Hayden, Chile)\u00a0<\/strong><\/p>\n

The supernatural permeates Hayden\u2019s fiction feature debut, which centers on Jorge (45) who becomes obsessed when he learns he shares a name and a striking physical resemblance with a deceased young man. For Josefina, the young man\u2019s mother, meeting Jorge stirs up long-buried memories. World premiered at Argentina\u2019s Bafici. Hayden\u2019s work includes docu series \u201cRandom\u201d and feature documentary \u201cPangea.\u201d<\/p>\n

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Una Luz Negra<\/span>
\nCourtesy of Sanfic<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\u201cLos Afectos,\u201d <\/strong>(Diego Ayala, An\u00edbal Jofr\u00e9, Chile, Ecuador)<\/p>\n

World premiere and a buzz title. Set in 2018 Santiago at the height of the student demonstrations. Benjamin, a high school\u2019s dean of discipline, sees his 16-year-old daughter viciously attacked by police forces. The drama is punctuated with musical set pieces as Benjamin struggles with his grief and the protests continue to spiral. This is the second feature of co-directors Ayala and Jofr\u00e9 whose debut feature \u201cVolant\u00edn Cortao\u201d was part of Locarno\u2019s Carte Blanche and premiered at the Rome Film Festival.<\/p>\n

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Los afectos<\/span>
\nCourtesy of Sanfic<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

\u201cLa Primera Dosis,\u201d <\/strong>(Roberto Salinas Vergara, Chile)<\/p>\n

World premiere. Salinas\u2019 documentary feature debut centers on Daniel, a cocaine addict for 27 years, who shares his story of addiction and crime in an area called \u201cthe bridge.\u201d We explore the underworld through his eyes, visiting places where addicts still live. During these visits, Daniel offers \u201cthe first dose,\u201d a gesture symbolizing his connection to the humanity of those marginalized by society. Salinas\u2019 editing credits include the award-winning shorts \u201cVishitiri\u201d (2018) and \u201cEstrellas del Desierto\u201d (2022).<\/p>\n

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La Primera Dosis <\/span>
\nCourtesy of Sanfic<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n

20th Sanfic Santiago International Film Festival Touts 10 Chilean Titles<\/a><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Chile\u2019s most prominent film event, the Santiago Int\u2019l Film Festival (Sanfic) celebrates its 20th edition with 10 Chilean titles in competition, chosen from a record 40 submissions this year. \u201cWe usually receive an annual average of 25 entries of which we select eight to nine titles,\u201d said festival director Carlos Nu\u00f1ez who co-founded the festival with Gabriela Sandoval who runs the industry section. He attributes the proliferation of films this year, in part, to the urge of young, upcoming filmmakers to make their mark in the world of cinema. \u201cMost of the directors in our selection are young and only<\/p>\n","protected":false},"author":1,"featured_media":88199,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"content-type":"","_eb_attr":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2,4],"tags":[],"class_list":["post-88197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all-blog-posts","category-film-news"],"yoast_head":"\n20th Sanfic Santiago International Film Festival Touts 10 Chilean Titles | We Are Actors<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/weareactors.com\/20th-sanfic-santiago-international-film-festival-touts-10-chilean-titles\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"20th Sanfic Santiago International Film Festival Touts 10 Chilean Titles | We Are Actors\" \/>\n<meta property=\"og:description\" content=\"Chile\u2019s most prominent film event, the Santiago Int\u2019l Film Festival (Sanfic) celebrates its 20th edition with 10 Chilean titles in competition, chosen from a record 40 submissions this year. \u201cWe usually receive an annual average of 25 entries of which we select eight to nine titles,\u201d said festival director Carlos Nu\u00f1ez who co-founded the festival with Gabriela Sandoval who runs the industry section. 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